BOLSTERARTS RESIDENCY
COHORT 03
FALL 2025
Selected by jurors Maty Sall (Independent Curator and Dealer), Margarita Lizcano Hernandez (Curatorial Associate, Department of Drawings and Prints, The Museum of Modern Art), and Shirley Lai (Associate Director, Nicodim Gallery and Independent Curator).
ruth jeyaveeran
ruth jeyaveeran
ANNA TING MÖLLER
ANNA TING MÖLLER
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RUTH JEYAVEERAN
Ruth Jeyaveeran lives and works in Brooklyn, New York. She uses textiles to explore a shared history of alienation and dissociation. In her felted drawings, soft sculptures, and installations, wool transforms into skin, soil, or map. Each piece becomes an intimate excavation as she layers fiber like sediment or history, allowing unexpected marks to rise to the surface. This process draws from both land and body, revealing cycles of trauma and renewal. By collaborating with material and process, Jeyaveeran allows long-buried truths to emerge.
Her solo exhibition Soft Remains was presented at Field Projects (New York, 2023), and her work has been featured at Smack Mellon, Fridman Gallery, the Brattleboro Museum, Queens Botanical Garden, All Street Gallery, ABC No Rio, Westbeth Gallery, The Yard, Ely Center of Contemporary Art, The Border Project, and Bronx Art Space, among others.
Jeyaveeran has been awarded residencies from the Ucross Foundation, Lower Manhattan Cultural Council, Residency Unlimited, Lighthouse Works, Marble House Project, Willapa Bay, Virginia Center for the Creative Arts, PADA Studios, and La Napoule Art Foundation. She has taught textiles and fibers at Parsons School of Design and frequently leads workshops on felting and the therapeutic potential of craft. She is currently an Associate Professor of Textile Design at the Fashion Institute of Technology.
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ANNA TING MÖLLER
Anna Ting Möller is an artist living and working in New York City and Stockholm. Möller received an MFA from Columbia University, New York, and a BFA from Konstfack University, Stockholm, SE.
Möller’s work has been exhibited at MASS MoCA, US; Liljevalchs Konsthall, Stockholm, SE; ArkDes, SE; Carl Eldh, SE; Jyväskylä Art Museum, FI; Titanik, FI; Phillips New York, US; and Ceysson & Bénétière, US. They participated in the 45th Tendencies Biennale in Norway and The Immigrant Artist Biennale in New York. The artist's work has been reviewed in publications such as Hyperallergic and Brooklyn Rail, among others.
Möller has received residencies and fellowships from Brooklyn Arts Fund Grant (US) EFA, Robert Blackburn, US; Kronobergs Kulturpris, SE; Asia Art Archive in America, US; Lower Manhattan Cultural Council (LMCC), US; and presented public talks at several universities and institutions, including Brooklyn Rail’s The New Social Environment #1180 (2025, Online), Zurich University of the Arts (2024, Online), Korea National University of Arts (2025) (Online) , School of Visual Arts (2024, US), and Accelerator Kunsthalle, Stockholm University (2020, SE).
Meet the COHORT 02 Jury
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SHIRLEY LAI
ASSOCIATE DIRECTOR,
NICODIM GALLERY
& INDEPENDENT CURATOR
Shirley Lai is the Associate Director at Nicodim Gallery, where she has played a key role for over three years across artist relations, sales, exhibition logistics, and international art fair strategy. She is currently curating an upcoming exhibition at Lubov Gallery and maintains an independent curatorial practice focused on amplifying historically marginalized voices, with a particular emphasis on Asian diasporic artists and underrepresented narratives in contemporary art.
Lai holds an Honors B.A. in Art History from the University of California, Berkeley, where she completed a thesis on Modern Tibetan Art and its political entanglements. Her professional background spans both commercial and institutional settings, including formative roles at Catharine Clark Gallery, Haines Gallery, and the Chinese Historical Society of America, where she developed educational programming and launched an artist spotlight series centering Asian American practitioners. Across her curatorial and administrative work, she is committed to building infrastructures of support for emerging artists and expanding the visibility of diverse perspectives within contemporary visual culture.
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Daniella Rose King
INDEPENDENT CURATOR AND DEALER
Maty Sall is a French-Senegalese art dealer and curator based in New York City. Her upbringing between Paris, Dakar, and New York shaped a singular curatorial perspective rooted in cross-cultural aesthetics and conceptual rigor. After early studies at Sorbonne University and completing her BFA at the Fashion Institute of Technology, Sall launched her career at Rosenfeld Gallery, specializing in the secondary market with works by Warhol, Basquiat, and Haring. She then became Director at Paul Nicklen Gallery, where she oversaw collaborations with the UN, WWF, and National Geographic-affiliated artists.
In 2019, she joined Jason Jacques Gallery as Director, leading major curations at Design Miami/ Miami & Basel, TEFAF Maastricht and FOG Design+Art. She spearheaded the gallery’s relocation to Chelsea and curated the inaugural exhibition SMOKE, which raised funds for the Last Prisoner Project. In 2023, Sall became Director at Fridman Gallery, where she expanded the curatorial program and brought in new perspectives. Her 2024 exhibition A Billion Brilliant Points of Unity received acclaim for its exploration of polyculturalism and artistic lineage. Sall’s work champions contemporary African and diasporic artists, challenging reductive narratives and highlighting the Continent’s vast creative contributions to global culture.
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MARGARITA LIZCANO HERNANDEZ
CURATORIAL ASSOCIATE, DEPARTMENT OF DRAWINGS AND PRINTS, THE MUSEUM OF MODERN ART
Margarita Lizcano Hernandez is a curator and scholar based in New York City focusing on Latin American Art and global artist networks. Currently she's the Curatorial Associate in the Department of Drawings and Prints at MoMA. Prior to that she was at the Solomon R. Guggenheim Museum and Foundation as Curatorial Assistant, where she was part of the core team working on the Guggenheim Abu Dhabi museum, focusing on collection management and protocol building, collection strategy research, and proposing works for acquisition. She has presented her scholarship at the Midwestern Art History Conference and the College Art Association. Margarita earned her BA at the School of the Art Institute of Chicago, and her MA from the Courtauld in London.