BOLSTERARTS RESIDENCY
COHORT 05
Summer 2026
Selected by jurors Angelik Vizcarrondo-Laboy (Curator and Writer), Lauren Hirshfield (Independent Curator and Art Strategist), Kourosh Mahboubian (Gallerist of Kapow), and Akinyi Ochieng (Philanthropic Advisor and Art Collector).
Asma Khoshmehr
Asma Khoshmehr
Bianca Abdi-Boragi
Bianca Abdi-Boragi
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Asma Khoshmehr
Asma Khoshmehr is an Iranian–Tanzanian interdisciplinary artist and filmmaker working across documentary, immersive media, and emerging technologies. Through film, installation, VR, AR, and XR, her practice investigates generational trauma, forced displacement, forced marriage, and political sexual violence under authoritarian regimes. Drawing from histories across East Africa and the Middle East, she combines documentary storytelling with volumetric capture, 3D scanning, animation, archival materials, and personal testimony to create immersive experiences that engage with memory, erased histories, and embodied witnessing. Khoshmehr received a BFA in Performing Arts from University of Tehran and an MFA in Film and Media Arts from Emerson College. Her work has been supported through fellowships, grants, and residencies including MacDowell, MASS MoCA, and the ON::VIEW Artist Residency Program. She is also a recipient of the Carole Fielding Grant from the University Film and Video Association and the Virgin Unite Grant.
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Bianca Abdi-Boragi
Bianca Abdi-Boragi is a French/Amazigh/American interdisciplinary artist born in Paris and based in New York since 2010. She received her BFA from ENSAPC (Paris-Cergy) and an MFA in Sculpture from the Yale School of Art in 2017. Her work has been presented internationally through exhibitions and projects including Times Square Arts’ Midnight Moment, SPRING/BREAK Art Show, Border Project Space, CADAF Art Fair, EFA Project Space, MASS MoCA residency, Pioneer Works, and the NARS Foundation. It has also been featured in Hyperallergic, Artnet, Vogue, Artsy, and The Brooklyn Rail, with film screenings at Anthology Film Archives and UnionDocs. Her practice explores the architecture of selfhood through found and everyday materials, examining the relationship between consumption, territory, and the body. Rooted in a multilingual and trans-cultural upbringing between French, Amazigh, and American contexts, Abdi-Boragi engages questions of identity shaped by displacement, inheritance, and historical memory. She often reflects on her family’s connection to the Algerian War as part of a broader inquiry into fragility, fragmentation, and shifting belonging. Her work operates between permanence and decay, placing ephemeral materials such as cotton candy, bread, and sand in dialogue with more durable elements like bronze, wood, or cast structures. This contrast creates a tension around time, value, and transformation, where materials act as stand-ins for human experience and its gradual erosion. Across sculpture, installation, and moving image, Abdi-Boragi constructs environments that resist fixed interpretation. Her works function as poetic arrangements where humor and unease, presence and disappearance, and stability and collapse coexist. Through this approach, she reconfigures every day matter into traces of memory and embodied experience, proposing a space where identity is continuously assembled, destabilized, and reformed.
Meet the COHORT 04 Jury
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Angelik Vizcarrondo-Laboy
CURATOR AND WRITER
Angelik Vizcarrondo-Laboy is a curator and writer of contemporary art and craft advocating for underrepresented communities, stories, materials, and approaches. She has curated and juried exhibitions across the United States and has written for many publications. Recent projects include curating R & Company's second triennial Objects: USA 2024 and the critically acclaimed Funk You Too!: Humor and Irreverence in Ceramic Sculpture in 2023 at the Museum of Arts and Design, NY. Her book, New Women's Work: Reimagining “Feminine” Craft in Contemporary Art, highlighting contemporary artists continuing the legacy of women's work came out in 2024. She holds a BA in art history from the University of Florida and an MA in decorative arts, design history, and material culture from the Bard Graduate Center, New York.
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LAUREN HIRSHFIELD
INDEPENDENT CURATOR AND ART STRATEGIST
Lauren Hirshfield (she/her) is an independent curator, arts strategist, and writer based between Brooklyn, NY and Newburgh, NY. Her practice centers emerging and under-represented artists through curations linked by the anthropology and sociology of systems, structures and futures. Currently she researches and develops presentations around topics like material transmutation, personal myth-making, speculative fiction, collectivism and eco-futurism. Since 2016 she has curated over 40 exhibitions and worked with over 200 artists through across galleries, platforms, and fairs both online and across the East Coast. Hirshfield is the co-founder of the curatorial project turned artist professional development network PARADICE PALASE, and the founder of the experimental dealer account @temp.img. Hirshfield received a BFA in Painting and Minor in Art History from SUNY Purchase (2013) and has been a visiting critic and lecturer with numerous universities and residency programs since 2018, most recently with The New York Arts Program. Hirshfield has written reviews and interviews for TUSSLE and Cultbytes, and her curatorial work has been reviewed in The New York Times, artnet, The Art Newspaper, Cultbytes, and The Observer.
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KOUROSH MAHBOUBIAN
GALLERIST
KAPOW
Kourosh Mahboubian has been a New York based art dealer, collector, curator, and advisor since 1988, when he founded Cyrus Gallery. With an egalitarian approach to representing good art, he became an early promoter of the Black Art Movement. The list of artists he has shown includes Howardena Pindell, Tyrone Mitchell, Maren Hassinger, Dindga McCannon and Khari Turner, among others.
He is currently the principal of Kourosh Mahboubian Fine Art, a private art advisory firm he founded in 1993, and of KAPOW, his latest gallery venture, located on NYC’s Lower East Side. KAPOW, is exclusively dedicated to supporting and developing the careers of exceptional emerging to mid-career artists.
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Akinyi Ochieng
PHILANTHROPHIC ADVISOR & ART COLLECTOR
Akinyi Ochieng is a Gambian-Kenyan philanthropic adviser and nonprofit board director who identifies, incubates, and scales innovations advancing a more sustainable, inclusive, and resilient world. She leads strategic planning and operations at the Autodesk Foundation, investing in nonprofits and startups that leverage design and engineering to tackle pressing social and environmental challenges.
Previously, she served as a Director & Vice President at APCO, advising corporations, foundations, and nonprofits on social impact programs supporting economic mobility and inclusive innovation across North America, Europe, the Middle East, and Africa. She began her career in financial services, developing economic mobility campaigns at Nova Credit and WorldRemit.
Akinyi holds an MSc in Global Politics from LSE and a BA with distinction from Yale. She also collects contemporary art, focusing on African diaspora artists whose work engages memory, history, and identity, reflecting her long-term commitment to ideas that shape how we understand the past and imagine the future.