BOLSTERARTS RESIDENCY

COHORT 05

Fall 2026

Selected by jurors Angelik Vizcarrondo-Laboy (Curator and Writer), Lauren Hirshfield (Independent Curator and Art Strategist), Kourosh Mahboubian (Gallerist of Kapow), and Akinyi Ochieng (Philanthropic Advisor and Art Collector).

Debra Cartwright

Debra Cartwright



ANA GARCÉS KILEY

ANA GARCÉS KILEY


  • Debra Cartwright

    Debra Cartwright is a painter and educator based in New York. She received a B.A. in Art History from the University of Virginia and an MFA from Rutgers University. Her practice examines the relationship between the Black female body and the history of American medicine, particularly the ways gynecology and obstetrics were institutional- ized through the displacement of Black and immigrant women from positions of knowl- edge and care. Working primarily in painting while incorporating printmaking and collage, Cartwright engages 19th-century medical imagery, diagrams, and archival materials to investi- gate systems of visibility, intervention, and control. Her work explores how the body is constructed, regulated, and represented through layered surfaces that move between emergence and obstruction. Through processes of accumulation, transfer, scraping, and material disruption, she creates works that resist fixed interpretation and remain in states of instability and tension. Cartwright has exhibited nationally and internationally, including exhibitions with Frid- man Gallery, Welancora Gallery, and Bode Projects, as well as presentations at the Del- aware Contemporary and the Montclair Art Museum. Her work has also been featured at Art Basel Miami Beach and Frieze Los Angeles

  • ANA GARCÉS KILEY

    Ana Garcés Kiley transforms the human figure into a magical-realist vessel to embody themes of death, desire, sex, and origin - the primordial interconnections that link us as beings. The translucent and transparent nature of the materials that she uses parallels these themes by creating mystery through a feel of weightlessness, layering and seeing-through. This gossamer quality adds mystery by allowing light to become part of the experience. Animals exist, mostly disembodied, within this world of the magical in the mundane, as keepers of secrets. They contribute to the sensation of Encounter in the work. Garcés Kiley received her MFA from Columbia University and her BFA from the University of Houston. She is a LeRoy Neiman Center for Print Studies fellow and the recipient of the Joan Mitchell MFA award, the Kimbrough Fund award from the Dallas Museum of Art, and was awarded a residency at the Elizabeth Foundation for the Arts as well as in the AIM program at the Bronx Museum of Art. She has taught at Columbia University, SUNY, Parsons The New School, and currently teaches at BMCC-CUNY. Her work has been exhibited throughout the United States and abroad. Originally from Colombia, she currently lives/works in New York City and is represented by Kapow Gallery.

Meet the COHORT 04 Jury

  • Angelik Vizcarrondo-Laboy

    Angelik Vizcarrondo-Laboy

    CURATOR AND WRITER

    Angelik Vizcarrondo-Laboy is a curator and writer of contemporary art and craft advocating for underrepresented communities, stories, materials, and approaches. She has curated and juried exhibitions across the United States and has written for many publications. Recent projects include curating R & Company's second triennial Objects: USA 2024 and the critically acclaimed Funk You Too!: Humor and Irreverence in Ceramic Sculpture in 2023 at the Museum of Arts and Design, NY. Her book, New Women's Work: Reimagining “Feminine” Craft in Contemporary Art, highlighting contemporary artists continuing the legacy of women's work came out in 2024. She holds a BA in art history from the University of Florida and an MA in decorative arts, design history, and material culture from the Bard Graduate Center, New York.

  • Black-and-white portrait of Damien Davis, a Newark-based artist and educator, wearing a dark shirt and chain necklace, looking directly at the camera with a neutral expression.

    LAUREN HIRSHFIELD

    INDEPENDENT CURATOR AND ART STRATEGIST

    Lauren Hirshfield (she/her) is an independent curator, arts strategist, and writer based between Brooklyn, NY and Newburgh, NY. Her practice centers emerging and under-represented artists through curations linked by the anthropology and sociology of systems, structures and futures. Currently she researches and develops presentations around topics like material transmutation, personal myth-making, speculative fiction, collectivism and eco-futurism. Since 2016 she has curated over 40 exhibitions and worked with over 200 artists through across galleries, platforms, and fairs both online and across the East Coast. Hirshfield is the co-founder of the curatorial project turned artist professional development network PARADICE PALASE, and the founder of the experimental dealer account @temp.img. Hirshfield received a BFA in Painting and Minor in Art History from SUNY Purchase (2013) and has been a visiting critic and lecturer with numerous universities and residency programs since 2018, most recently with The New York Arts Program. Hirshfield has written reviews and interviews for TUSSLE and Cultbytes, and her curatorial work has been reviewed in The New York Times, artnet, The Art Newspaper, Cultbytes, and The Observer.

  • KOUROSH MAHBOUBIAN

    GALLERIST

    KAPOW

    Kourosh Mahboubian has been a New York based art dealer, collector, curator, and advisor since 1988, when he founded Cyrus Gallery. With an egalitarian approach to representing good art, he became an early promoter of the Black Art Movement. The list of artists he has shown includes Howardena Pindell, Tyrone Mitchell, Maren Hassinger, Dindga McCannon and Khari Turner, among others.

    He is currently the principal of Kourosh Mahboubian Fine Art, a private art advisory firm he founded in 1993, and of KAPOW, his latest gallery venture, located on NYC’s Lower East Side. KAPOW, is exclusively dedicated to supporting and developing the careers of exceptional emerging to mid-career artists.

  • Akinyi Ochieng

    PHILANTHROPHIC ADVISOR & ART COLLECTOR

    Akinyi Ochieng is a Gambian-Kenyan philanthropic adviser and nonprofit board director who identifies, incubates, and scales innovations advancing a more sustainable, inclusive, and resilient world. She leads strategic planning and operations at the Autodesk Foundation, investing in nonprofits and startups that leverage design and engineering to tackle pressing social and environmental challenges.

    Previously, she served as a Director & Vice President at APCO, advising corporations, foundations, and nonprofits on social impact programs supporting economic mobility and inclusive innovation across North America, Europe, the Middle East, and Africa. She began her career in financial services, developing economic mobility campaigns at Nova Credit and WorldRemit.

    Akinyi holds an MSc in Global Politics from LSE and a BA with distinction from Yale. She also collects contemporary art, focusing on African diaspora artists whose work engages memory, history, and identity, reflecting her long-term commitment to ideas that shape how we understand the past and imagine the future.

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